Saturday, August 10, 2019

Arts Funding and the Economy

What does this photo of up and coming singer Jocelyn Arndt have to do with the conomy? She spends money she makes as a singer. She has band members who spend money they make as musicians. She's talented enough that one day she be making and spending even more money, and generating jobs and revenue for others.




The current administration's excuse for cutting funding to the arts is to save money. I'm not going to talk about how ludicrous this is in light of the small amount of funding goes towards the arts. Only someone who is corrupt or willfully ignorant would think that the approximately $152 million for the National Endowment for the Arts is having a major impact on the deficit. (By comparison Trump's golf trips so far have cost over $122 million.)

Of course, local governments have been cutting funding to the arts in the schools long before Trump took office. The idea is that if a school must make a choice between programs designed to help students do better on their various tests and arts funding is well-ingrained in the minds of school officials, in favor of the testing (often, money for athletic programs is the left of the table). However, studies have shown that students involved in arts programs, especially music, do better in other subjects.

My personal experience bears that out, as my fellow band, orchestra and chorale members when I was growing up made up the bulk of students on the honors list. Yes, there is something behind the brainy “band geek” persona.

I think the persona creative/arts people project is part of the reason why some non-artists can be so eager to cut funding for the arts. Because creative types tend to also be more liberal, more questioning of authority, and more apt to speak out as activists against social issues and injustice (songs can be especially powerful influencers of public thought) those in power want to squelch potential protest and public opposition by controlling the development of artists, musicians, poets, writers, dancers, actors et al. I see this as the main reason Trump is doing what he does to strip the federal budget of any arts funding as well has having Education Secretary Nancy Devos make things tough for arts education.

What I want to discuss, though, is the potential impact lack of adequate funding for the arts-music in particular-can have on the economy as a whole. The music industry alone generated over $9.8 billion in 2018, with a third straight year of double-digit growth (other industries wish they could match growth like that). Again, that's just the music industry: movies, TV, and internet productions, including sites such as YouTube contribute ten times that amount. I didn't even research figures on visual art, dance and written work.

Needless to say, creative people generate a lot of money for the U.S. economy. They create a lot of jobs. In addition to the direct revenue, billions more is spent on the devices used to generate, record and replay music, video and still images and written word. Tens of millions of people are employed either directly or by manufacturing and distributing materials and devices used in creative arts.

Here's a scenario to consider:

DaNika always had a sweet singing voice. By the time she was ten she was giving serious thought to becoming a professional singer. In fifth grade her school offered piano lessons, so since her parents could afford them on their own, she signed up. She struggled a bit, but she stuck with it.

When she got to middle school, she immediately joined the choir. She was a good singer already, but once exposed to the discipline of choir, and the coaching her instructor provided, she truly blossomed. She was able to continue her piano lessons, as well as vocal coaching, with her choir instructor, who taught her for a nominal fee. She was earning enough as a music teacher that teaching piano was as much about helping her students as making extra money.

DaNika was so good that by the time she was sixteen, she was getting gigs on the weekend, saving up money for college. By the time she graduated, she had saved enough for her first two years of music school. But she also earned a full scholarship due to her talent, and the fact that the discipline she learned studying music contributed to her 4.0 grade point average.

She continued to play gigs while in college. She landed a tour gig as the opener for a national level act during the summer after her sophomore year. She made more on that seen week tour than her mother made per year in her part time retail job. (Her father worked full time in a factory.) The summer after her junior year, she toured on her own. That got the attention of a record label. She dropped out of college to sign with them.

Fast forward 10 years and DaNika is a Grammy award-winning performer. She's had 3 platinum and 8 gold records. She's bought not only a great house for herself, but for her parents. Her mother was able to stop working part time to pursue her own desire to paint. Her father is planning on retiring early. Not only did she put her younger brothers through college (one is studying to become a physician), she set up a scholarship fund for students at her old high school.

DaNika's own production company employs twenty people and grosses $25 million per year. When on tour, she hires a road production crew of ten people. At each appearance, local people get work as marketing, vendors, security maintenance etc. Many venues DaNika appears at use the high revenue from her shows to help support less profitable shows by local performers.

Of course, production of her albums and merchandise is another source of jobs and revenue not only directly but in contributing to the various wholesalers and retailers who sell her music and merchandise.

When her father retired, she set up a scholarship fund for children of workers at the factory where her dad had worked.

Economically, DaNika does a lot for the economy as part of a huge industry. Yet even less famous performers contribute in much the same way.

In an alternate history, DaNika wasn't able to start piano lessons because of funding cuts to her school. There was no middle school choir program. When she got to high school, the choir was an extracurricular program that met only once a week with an itinerant instructor. She still wanted to become a professional singer, but didn't quite have the training, or the discipline, to really pursue it. She didn't qualify for any scholarships for college because her grades were not quite good enough.

When DaNika graduated high school she took a job at the department store where her mother worked. She managed to snag the occasional Saturday gig playing a wedding or local club, but felt she wasn't going anywhere as a musician. Then a chance came along with a local audition for
America's God Talent”. She did well and made it to the next round judged by the celebrity panel. She did her very best at that audition, but was told that she needed to take voice lessons and develop more polish before she could move to the next round. Come back later.

Ten years later DaNika a department manager at the store. Her brothers never made it to college. Her mother still works part time at the same store, and hasn't touched a paint brush in years. DaNika's eight year old daughter has a sweet singing voice...

Artistic people can generate revenue and help provide jobs. Period.

Sunday, August 4, 2019

Wasting Megapixels?





Sony recently dropped a bombshell on the camera industry with the announcement of the Sony A7R Mark IV. The “full frame” sensor has 61 megapixels. Five years ago, that many pixels would only be found on medium format sensors. Naturally, all the camera media, and the denizens of various online groups, are abuzz about the camera.

Some of the buzz I've seen doesn't dwell on the megapixel count so much as on the improvements in auto focus and ergonomics. These are two factors I think are far more important than upping the pixel count from 42MP found in the Sony A7R MkIII. In fact, for most people, and most display applications, 61MP is a big waste. It's not just overkill, it's nuclear warfare overkill.

Huh?

Isn't the axiom in photography that sharper (higher resolution) is always better, and this camera offers the highest resolution of any full frame camera to date?

(Note: discussing resolution verses sharpness is fodder for a different article.)

This axiom is true, sort of: it ultimately depends on how the final image is viewed. The rub is that images are viewed on browsers that don't have the same resolution as the original image. Worse, they are most often viewed online, in browsers that are emphasize fast delivery of content over quality. Then there's the fact that many sites where people upload their photos compress the files.

It's like this:

Ed the Enthusiast Photographer happily shells out $3500 for the A7R Mk3. He downloads his first group of photos (RAW of course) into his computer and opens up his preferred editor. That's where things start to get into the overkill range. Ed has a sweet looking 4K monitor, but it's still only 4096x2160 pixels. That's less than half the 9504x6336 image size the A7R MkIV produces at its highest resolution. Where is all that extra detail going?

No problem for Ed: he just zooms in to 100% to see all the glorious detail his new camera is capturing. (At last he can see just how soft the corners are when he shoots his favorite lens wide open!) Ed completes his editing, saves as a .JPEG (oops, there goes some of the detail as he saves in a compressed format) and uploads it to his online gallery (one designed specifically for photographers so it doesn't compress images). To really show off, he also uploads the images to Facebook and Instagram (which do compress images).

From there, the photos are viewed by people who mostly don't have 4K monitors, and who mostly just view the images in their browsers (which default to a pixel per inch far below what a 61MP sensor produces). Ed's enthusiast friends will zoom in to view the images at 100%, and some may even download the originals to really see how they look. Most people, though, will just look at the images however they are displayed by default, and take Ed's word for it that his new camera is “sharper” than his old camera.

Don't get me wrong: I fully support Ed's desire to buy the latest camera. In the case of the Sony A7R Mk3, there are a lot of other improvements to applaud beyond the megapixel count of the sensor. I'm saying the expectation of such a sensor far exceeds the reality for most people and most display applications.

Angie is a commercial photographer who's been using a Hasselblad 50MP medium format camera for years. She's needed the high resolution because her photos are often used for large displays, such as window banners and even billboards. Those display methods take full advantage of (and may even require) a high pixel count. She reads up on the specs of the A7R Mk3, and the fact that there is a wider selection of lenses available, and trades in her Hasselblad gear on a Sony kit.

Doug is a fine art and landscape photographer who produces exquisitely detailed large prints for sale in galleries and through his website. He tends to produce prints ranging from 30 by 40 inches and larger. He's been happy with the output from his Sony A7RMk3, but he sees he can produce prints with even more detail (or larger prints with the same detail) with the A7RMkIV.

Allie is a nature photographer who uses the Sony A9 for it's ruggedness and auto focus capabilities. She sees many of her preferred features are now in the A7RMkIV, with higher resolution to boot. To her it's a done deal. (I threw this last one in because not everyone will buy the camera simply because of the sensor.)

There are people who can expect an improvement in the images they produce for the way they are displayed. Most people already using full frame cameras, however, won't realize any significant improvement in image quality if they bought the Sony A7RMkIV. Displaying online images with most monitors simply doesn't allow for seeing any increase in resolution. I've talked with many “enthusiasts” who don't even realize this.

This is one reason why I'm in no hurry to switch from the Olympus micro four thirds system I use. Yes, on my monitor, at 100% view in my editing software I would see a notable difference between the images taken with my camera and those taken with any full frame camera, much less the 61MP of the A7RMkIV. However I know most other people wouldn't see any difference when they view the images on the various online platforms (two galleries, Facebook and Instagram) that I use.

I'd say if you want to buy the Sony A7MkIV, do so because of the improvement in auto focus, ergonomics, weather sealing and other small features compared to the A7RMk3. Consider the 61MP sensor a bonus.